Welcome to where I am, where my kitchen's always messy, a pot's (or a poet) always about to boil over, a dog is always begging to be fed. Drafts of poems on the counter. Windows filled with leaves. Wind. Clouds moving over the mountains. If you like poetry, books, and music--especially dog howls when a siren unwinds down the hill-- you'll like it here.


MY NEW AUTHOR'S SITE, KATHRYNSTRIPLINGBYER.COM, THAT I MYSELF SET UP THROUGH WEEBLY.COM, IS NOW UP. I HAD FUN CREATING THIS SITE AND WOULD RECOMMEND WEEBLY.COM TO ANYONE INTERESTED IN SETTING UP A WEBSITE. I INVITE YOU TO VISIT MY NEW SITE TO KEEP UP WITH EVENTS RELATED TO MY NEW BOOK.


MY NC POET LAUREATE BLOG, MY LAUREATE'S LASSO, WILL REMAIN UP AS AN ARCHIVE OF NC POETS, GRADES K-INFINITY! I INVITE YOU TO VISIT WHEN YOU FEEL THE NEED TO READ SOME GOOD POEMS.

VISIT MY NEW BLOG, MOUNTAIN WOMAN, WHERE YOU WILL FIND UPDATES ON WHAT'S HAPPENING IN MY KITCHEN, IN THE ENVIRONMENT, IN MY IMAGINATION, IN MY GARDEN, AND AMONG MY MOUNTAIN WOMEN FRIENDS.




Wednesday, March 28, 2012

Southern Poetry Review: Julie Suk





The Southern Poetry Review has introduced readers to some of the best poets in the country, many of them from the South.   As promised, here is Julie Suk's splendid poem from the Winter issue.  Julie has a new book out from Autumn House Press, Lie Down With Me: New and Selected Poems.   She lives in Charlotte, North Carolina.


SPR has just published a gathering of poems published in the magazine over the last ten years.  More about that in a later post.




BRUEGHEL IN THE HYDRANGEAS


Aging through August, the hydrangeas 
turn from pastels to brick and bronze,

the same rich colors tempering
Brueghel’s Triumph of Death,

that ravaging depiction of pillage and war—
the myriad mutilations 
we foolishly thought we would modify.

When we die, will our last glimpse be
of brilliance, a smear of color scumbled 
over the sour realities left behind?

I wish, but then I look with envy
at two lovers in the painting 
having at it under a tree, 

the pair of them entwined,
her head thrown back, the creamy neck 
exposed as long as paint holds.

Better than years of scrubbing 
the resilience of dirt,
cheeks graying along the way.

True, Brueghel’s faces are never 
Valentine sweet—

you can depend on a darkness there
brooding below the pink.



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