Welcome to where I am, where my kitchen's always messy, a pot's (or a poet) always about to boil over, a dog is always begging to be fed. Drafts of poems on the counter. Windows filled with leaves. Wind. Clouds moving over the mountains. If you like poetry, books, and music--especially dog howls when a siren unwinds down the hill-- you'll like it here.


MY NEW AUTHOR'S SITE, KATHRYNSTRIPLINGBYER.COM, THAT I MYSELF SET UP THROUGH WEEBLY.COM, IS NOW UP. I HAD FUN CREATING THIS SITE AND WOULD RECOMMEND WEEBLY.COM TO ANYONE INTERESTED IN SETTING UP A WEBSITE. I INVITE YOU TO VISIT MY NEW SITE TO KEEP UP WITH EVENTS RELATED TO MY NEW BOOK.


MY NC POET LAUREATE BLOG, MY LAUREATE'S LASSO, WILL REMAIN UP AS AN ARCHIVE OF NC POETS, GRADES K-INFINITY! I INVITE YOU TO VISIT WHEN YOU FEEL THE NEED TO READ SOME GOOD POEMS.

VISIT MY NEW BLOG, MOUNTAIN WOMAN, WHERE YOU WILL FIND UPDATES ON WHAT'S HAPPENING IN MY KITCHEN, IN THE ENVIRONMENT, IN MY IMAGINATION, IN MY GARDEN, AND AMONG MY MOUNTAIN WOMEN FRIENDS.




Showing posts with label poetry and photography. Show all posts
Showing posts with label poetry and photography. Show all posts

Sunday, March 14, 2010

MAGPIE TALES: A WOMAN'S HAND

Thanks again to Magpie Tales (http://www.magpietales.blogspot.com/) for bringing this poem up from my memory. It was inspired by the photo below it, courtesy of photographer Louanne Watley's Evelyn Series.

Of all the bones,

these the most eloquent,


lying upturned on the windowsill,

holding a woman's life


mapped in their grasp,

every pulse-beat her heart's story.

(photo credit: Louanne Watley)

The following poem is from my volume Catching Light (LSU Press), based on Louanne's series of photos documenting the last months of a woman who wished to be call Evelyn. Or Eve.

Vanity

Without hands
a woman would stand at her mirror
looking back only,
not touching, for how could she?  
Eyelid. 
Cheek. 
Earlobe. 
Neck-hollow. 
The pulse points that wait to be dusted  
with jasmine or lavender.  
The lips she rubs  
rose with a forefinger.  
She tends the image  
she sees in her glass,  
the cold replication  
of woman, the one  
who dared eat from her own hand  
the fruit of self-knowledge.