Welcome to where I am, where my kitchen's always messy, a pot's (or a poet) always about to boil over, a dog is always begging to be fed. Drafts of poems on the counter. Windows filled with leaves. Wind. Clouds moving over the mountains. If you like poetry, books, and music--especially dog howls when a siren unwinds down the hill-- you'll like it here.


MY NEW AUTHOR'S SITE, KATHRYNSTRIPLINGBYER.COM, THAT I MYSELF SET UP THROUGH WEEBLY.COM, IS NOW UP. I HAD FUN CREATING THIS SITE AND WOULD RECOMMEND WEEBLY.COM TO ANYONE INTERESTED IN SETTING UP A WEBSITE. I INVITE YOU TO VISIT MY NEW SITE TO KEEP UP WITH EVENTS RELATED TO MY NEW BOOK.


MY NC POET LAUREATE BLOG, MY LAUREATE'S LASSO, WILL REMAIN UP AS AN ARCHIVE OF NC POETS, GRADES K-INFINITY! I INVITE YOU TO VISIT WHEN YOU FEEL THE NEED TO READ SOME GOOD POEMS.

VISIT MY NEW BLOG, MOUNTAIN WOMAN, WHERE YOU WILL FIND UPDATES ON WHAT'S HAPPENING IN MY KITCHEN, IN THE ENVIRONMENT, IN MY IMAGINATION, IN MY GARDEN, AND AMONG MY MOUNTAIN WOMEN FRIENDS.




Showing posts with label Alma Cantata. Show all posts
Showing posts with label Alma Cantata. Show all posts

Friday, July 10, 2009

Lunch With Harold and Jane


Yesterday we had lunch at Spring Street Cafe in Sylva with Harold and Jane Schiffman, who spend summer and fall in their mountaintop home in Robbinsville. Harold has set my Alma poems to music in a cantata titled Alma (see sidebar with cd cover and link to Harold's website) and last year premiered in New York City a song cycle for soprano and piano based on my "Blood Mountain" sequence from Black Shawl. He also composed cello music for the cd of Wake that Spring Street Editions released several years ago.




He's interested in seeing new poems, hoping he hears music rising out of them. I'm hoping so, too. Here is one of the new poems I gave him, in the chapbook Lit by Language, published for this year's Asheville Wordfest. The theme? Azaleas. (If you would like to order a copy of this chapbook, please contact Laura Hope-Gill at laurahopegill@aol.com)






RAPT

for Chris, former student

“Nothing exists I can’t azalea with a glass of water.
Should there be a three month grace azalea for sex?...
I blow smoke at the azalea and write
letters to imaginary lovers, azaleas. "

C.S. Carrier, from Azalea

I too love how azalea
seduces me,
makes me want more of her
coming out, debutante
no matter how many years

she has been resurrected
from mulch. What azalea desires
I can’t fathom, other
than just enough water
to suck, enough
humus to snuggle her roots
into. So, let azalea be,
kindling again atop Gregory Bald.

In the valleys’ front yards,
let her bloom white as doilies,
or Barbie-doll pink.
Let her dare to bloom gypsy magenta.
Don’t make her sell perfume
& cheap whiskey, or be a verb
curing heartburn or hangover.

Azalea bloomed overtime
in my hometown. Sure,
I took her for granted,
but that was before I climbed
Gregory Ridge and
beheld her as flame into
which I could disappear,
turning to ash on the wind.

When azalea blooms now
in our mountains, I dream
about vanishing into her
small throat, my poem
like a proboscis
listening,
listening,
rapt in the sound of azalea.





Sunday, April 12, 2009

IVY, SING IVORY



This is an old poem, from WILDWOOD FLOWER. I began it as we drove past the Tuckaseegee River, dogwoods blooming on the ridges, the rapids in the river echoing their wind-blown blossoms. "The church bell rings Easter all morning," but so do the trees and the wildflowers. The redbud outside is blooming now. The landscape is waking us up, saying "Come out, look around, wake up."


Ivy, Sing Ivory

1
Like women, the dogwoods go nowhere
and wait for their season, the sun coming back
like a sea-roving laddie. By May Day

the ground will be white with their fare-thee-wells
no man will heed, his boots grinding
a path through the leaf mold. Such pretty things,
Mama said, touching the ivory lace
of my wedding clothes. What good are they
to me now? Every night I see stars falling,
white petals into the wilderness.

2
The church bell rings Easter
all morning like, clear-broken, ice
and beneath it the almost unmoving water.

3
White water charges the banks
after rain has been heavy.
I hear it wherever I go,
like the swirl of my dress
as I stand up suddenly,
kicking the chair from my path.

4
Leaves rasp underfoot half-a-day’s
climb to the summit. A possum sways
four branches heavenward.
Silver bells,
what sweeter music
than silence? The snail travels
slowly toward water that’s been gone
for centuries, rocked by the tidesong
of wind sweeping leaves back
and forth through the gap.

5
Down to the gristmill I follow the creek swollen
so loud by rain I can’t hear myself
sing ho-a-honey-ho. Lady Luck’s
left me a buckeye to warm
in my pocket all day like an earring
the old woman pulled from her dirty pack
whispering, “Filigree.”
“Gypsies,” my Mama said,
pointing me back to the crochet hook
stuck in a tangle of tiny white stitches.
“It’s too hard,” I cried, throwing down
all my fancywork. Fast as I could
I set out for the top of Bald Ridge,
asking] why can’t I keep walking out of this
endless blue sky into somebody else’s
life, fiddles and red skirt
that tickles the floorboards till
dawn. But I knew I could never go far
from the sound of this creek tumbling down
to the lilies of Cullowhee Valley
that bloom like a garland of lace
on my doorsill. Oh ivy, sing ivory,
rosebud and thorn! If only this afternoon
really were endless alongside the gay Tuckasegee
where now I ask, watching its broken light leaving
me, why can’t this water run smooth as stone?