POET OF THE DAY: FELICIA MITCHELL

FELICIA MITCHELL IS ONE OF MY FAVORITE POETS. HER MOST RECENT CHAPBOOK, THE CLEFT OF THE ROCK, WAS PUBLISHED BY FINISHING LINE PRESS LAST YEAR. THE POEM BELOW TOUCHED ME TO THE MARROW THE FIRST TIME I READ IT AND CONTINUES TO DO SO. I CAN'T THINK OF A LOVELIER POEM FOR EASTER MORNING.

Almost Easter


Shaking bone meal
from my bare hands
into the rose bed
where only one bush grows,
I feel as if I’m scattering
my father’s ashes
all over again.

This month marks
the seventh year
my father has lain
in my garden,
his ashes in my hands
still as palpable
as bone meal or thorns.

Easter Sunday,
I will hide an egg
behind his ear.
Jesus will call down to him
to get up and play.
He won’t.
But the rose bush
that is turning green,
this rose will sink its roots
a little deeper in the earth
and in a few months
drop its petals
like so many red tears.

— Felicia Mitchell

Felicia is a widely published poet, with listings in Poets & Writers Directory andContemporary American Authors. Her poems have appeared in journals and anthologies since 1983, recently in Columbia. A Journal of Literature and the Arts,Weber Studies, and Many Mountains Moving. In 2009, Finishing Line Press of Kentucky released The Cleft of the Rock. In 2008, “There is No Map” was published as an online chapbook by Dead Mule School of Southern Literature. The poems in this collection are included in The Los Language of Dragon, a book-length collection of poems about dementia currently in submission to presses. In 1999, Earthenware Fertility Figure was published as a first-prize chapbook through a competition sponsored by Talent House Press in Oregon.

Poets OF THE DAY: Vicki Lane & Britt Kaufmann

Vicki Lane is special. A gifted photographer, inventive cook, quilter, blogger....all this and a novelist, too! A novelist whose work often makes me think it's poetry! Life's just not fair. Vicki lives in Madison County, on a farm that she manages with her husband John. She's well-known in mystery writing circles, as well as book clubs and other gatherings of folks who like good writing. She's one of our region's best prose-writers. You'll see that for yourself in the excerpt below from her most recent book, The Day of Small Things. This excerpt is in the voice of Birdie, the main character. I enjoyed this book for many reasons, chief among them Birdie's always believable voice and the haunting use of Cherokee lore and history.

New York Times best-selling author of the Duncan Kincaid/Gemma James mysteries has this to say about Birdie's book:

"Vicki Lane is one of the best American novelists writing today. In The Day of Small Things, she has once again rendered a lyrical, evocative, and haunting portrait of life in the Appalachians, both past and present. And in Birdie, she has given us a character who will steal your heart and stay with you for a long time to come. I loved this book—The Day of Small Things will definitely make my short list for 2010."

Chapter 2 ~ The Burying Ground

Tuesday, May 1

(Birdie)

The hickory walking stick digs little holes in the hard red earth as I make my way along the path that snakes up the tree-covered slope. The black plastic garbage bags hanging over my left arm rustle and swish in time with the huffing sounds of my breath and the steady thump of my footfalls and the lighter tap of the stick. All them different sounds working together . . . they put me in mind of the one-man band in the Fourth of July parade, away back when Luther was yet living. Me and him took Cletus in to Ransom for the rodeo and the parade and law, he had him a time! That boy played one-man band for the rest of the summer, rigged out with an old juice harp and some of my pot lids and a cow bell he took off of old Pet. Golden memories.

This old trail ain’t used but seldom now and it’s growed narrow with the grass and the weeds reaching out into it. Most folks heading up to the top take the road that runs by the river – twice as long but any vehicle at all can Cadillac right up to the end. Hunters comes this way now and again and I reckon deer and such use the trail. Right here it runs along a rusty barb wire fence that borders the upper edge of the old corn field. The field’s going back to the wild too, like so much of these mountains. Where once there was corn growing, thick and tall and green, food for man and beast alike, now there’s young locust and poplar shooting up through the roses and blackberries. It’ll all be forest afore long, though I’ll not live to see it.

I spy the fire pinks in their old place by the leaning gray fence post and it lifts my heart to see them bright faces just a-smiling up at me like always at this time of year. They’re good as a calendar, the wild things are. Humming birds coming back mid-April, raspberries bearing fruit early June, and the fire pinks blooming just afore Decoration Day. Always has been so and I pray it always will.

The trail runs into the old woods now and in the cool shade beneath the new-leafed trees, there’s a world of those little three-leafed flowers, the white and the pink too, making a pretty carpet over the ground. The branch is running bold after last night’s rain and all along its banks, big old clumps of blue and light purple flowers look like lace against the solemn gray rocks. Over beyond the tumbling water, wild iris and larkspur climb the steep slope, reaching back into the trees far as the eye can see.

It is a sight on earth and that’s the truth. I stop and lean on my stick to breathe in the rich woodland smell. There’s some things don’t change, thank the Lord -- that fine loamy smell of the dirt and the clean bite of the branch mint and how the water gurgles and sings as it goes hurrying down to the river. There’s the birds calling out – sounds like one of them’s saying Sweet, sweet, sweet, and there’s the wind stirring the trees -- it’s all the good things of life itself and I pity the city folks who ain’t never been in a mountain cove come May time.

**********************************************************

I first met Britt Kaufmann five years ago at the first annual Carolina Mountains Literary Festival. She's a whirlwind of activity--the mother of three children, a gardener, a planner, a web designer, and a poet. Her first chapbook of poems, Belonging, was recently published by Finishing Line Press in Kentucky.

Britt helps plan the Carolina Mountains Literary Festival ( cmlitfest.com) in her home town of Burnsville, NC, and hosts a women's open-mic reading in Spruce Pine. Her poems and non-fiction have appeared in Western North Carolina Woman, Kakalak 2007, Main Street Rag, Literary Mama, The Mennonite, Elegant Thorn Review, and The Pedestal Magazine. Her website is brittkaufmann.com

March Madness

While bombs drop on Baghdad

hail pounds down on me amid

thunder that is not a convoy of stealth.

I watch without fear, the green screen,

the green flames, the tiny yellow crocus

shut tight, a smaller target for white missiles.

When the rain lets up, coverage and bombs do not.

I itch inside my skin, nauseous at the thought,

so I change channels since I prefer battles on the court.

Buy Nothing Day 2005

(Black Friday)

I live the lesson of my stock:

In the world, not of it,

shun the material for the other life.

A child, my grandfather jumped the fence

from Amish to Mennonite

(still a subset yet set apart).

Now I am grown with children

missing the four part a capella Sundays,

but today I do my grandmas proud.

I cook the picked-clean turkey carcass

with onions, salt, and celery,

boil it long and slow,

crack a bone or two, so

marrow seeps into the stock,

passes down the rich value of blood.

Each generation of this Thanksgiving

meal sustains family.

I add the heart, neck, and innards too

instead of tossing them out.

Those women never threw anything away,

cupboards overflowing with old margarine tubs.

I feel their smiles, short

ones that might not seem to merit praise,

but I know they would be pleased

as I strain broth into old containers

from take-out egg drop soup,

preserve them for the future.

Chemo

“He’s feeling his mortality,”

My mother said over the line.

I wonder, what texture it could be?

Does he reach out his hand

To finger the shimmer of a wedding veil,

Or hold his hand out flat

To let the summer breeze push sun

Thinned muslin against it?

Will his sweaty palm leave

A forever handprint like the one

My father left on the thigh of my mother’s

New black velvet skirt, before I was born?

Does he clutch tightly,

Bury his fingers in red chenille

Feeling only the tension in his hand?

Maybe his fingers are spread wide,

Like my baby’s, as she reaches,

Too slowly, for the cat as he purrs

Past, feeling only the cool silk tail

Slip under her grasp,

Instead of warm plush fur.

POET OF THE DAY: Robert West

"It's remarkable how often the national poetry establishment fails to celebrate the many fine southern poets writing today. Our poets win an oddly small number of major literary awards, and they appear in far too few anthologies of national scope. " How could I not be partial to a poet who at the beginning of a review in a major Southern literary journal states precisely what I've been thinking? I've known Robert West since the days when he was editor The Carolina Quarterly at UNC-CH, where he received his PhD. He now teaches at Mississippi State University, though I'm hoping he will return eventually to his native state one of these days.

He's one of the sharpest critics around, and to add to his luster, he is a native of the western NC mountains. As if he needed any more luster, I'll polish off his biography by saying that he's also a poet, a widely published one-- the author of two poetry chapbooks: Best Company (2005) and Out of Hand (2007)--with a third due soon from Finishing Line Press. The poems below are from that forthcoming collection.

The Owl

after Apollinaire

My heart’s an owl nailed down, then freed,

then nailed again. Too spent to bleed,

it hardly feels a thing these days.

All those who love me win my praise.

Point Taken

If acting like a child could keep me young,

I’d look and feel much better than I do:

a logic I can laugh at now once stung

because I caught the drift of it from you.

Union

We make such us of you and me

as can’t define or trace the tie

between the two we used to be:

that compound subject, you and I.

Aubade

A gray

morning

like this

is

good only

for

going back

to

bed with

you

so far

away.

POET OF THE DAY: GLENDA COUNCIL BEALL

Glenda Council Beall's new chapbook, Now Might As Well Be Then, from Finishing Line Press (http://www.finishinglinepress.com/) deserves many readers. I was honored to write a blurb for it. Glenda has worked wonders for NETWEST as Program Director and deserves our thanks for supporting the literary arts in Western North Carolina.

Often those "supporters" are so busy making sure other writers find what they need to become better at the writer's craft that they don't have time for their own work. That's why I'm so pleased to honor Glenda as Poet of the Day. Here are a couple of my favorite poems from her new chapbook.

WOMAN IN THE MIRROR

What happened to seventeen,

when I rode my mare

free as the river flows,

jumped over downed trees

splashed through narrow streams?

What happened to twenty

when I danced in the moonlight,

my slender form dressed in a gown

white and shimmery as pearl?

What happened to thirty

when I rode my Yamaha

down fire roads, mountain trails,

long black hair flying free?

What happened to those days

I ask the woman in the mirror.

Gone, she says, all gone, unless

you remember it.

In The Dark

Lying in bed, my cheek against your shoulder,

I remember a night, long ago, on your boat.

I was afraid. I felt too much, too fast.

But love crept over us that summer

like silver fog, silent on the lake.

We were never again the same.

We stepped like children through that door that led

to long passages unknown, holding hands, wide-eyed, but brave.

Here I am years later, listening to your soft breath

and feeling your warm smooth skin.

In the dark, now might as well be then.