Welcome to where I am, where my kitchen's always messy, a pot's (or a poet) always about to boil over, a dog is always begging to be fed. Drafts of poems on the counter. Windows filled with leaves. Wind. Clouds moving over the mountains. If you like poetry, books, and music--especially dog howls when a siren unwinds down the hill-- you'll like it here.


MY NEW AUTHOR'S SITE, KATHRYNSTRIPLINGBYER.COM, THAT I MYSELF SET UP THROUGH WEEBLY.COM, IS NOW UP. I HAD FUN CREATING THIS SITE AND WOULD RECOMMEND WEEBLY.COM TO ANYONE INTERESTED IN SETTING UP A WEBSITE. I INVITE YOU TO VISIT MY NEW SITE TO KEEP UP WITH EVENTS RELATED TO MY NEW BOOK.


MY NC POET LAUREATE BLOG, MY LAUREATE'S LASSO, WILL REMAIN UP AS AN ARCHIVE OF NC POETS, GRADES K-INFINITY! I INVITE YOU TO VISIT WHEN YOU FEEL THE NEED TO READ SOME GOOD POEMS.

VISIT MY NEW BLOG, MOUNTAIN WOMAN, WHERE YOU WILL FIND UPDATES ON WHAT'S HAPPENING IN MY KITCHEN, IN THE ENVIRONMENT, IN MY IMAGINATION, IN MY GARDEN, AND AMONG MY MOUNTAIN WOMEN FRIENDS.




Showing posts with label Western North Carolina Women Writers. Show all posts
Showing posts with label Western North Carolina Women Writers. Show all posts

Saturday, December 17, 2011

WOMEN'S SPACES--WOMEN'S PLACES

       What a great gathering of women in this anthology edited by Celia Miles and Nancy Dillingham!  And what a great Christmas gathering of several of those writers at the Coffee with the Poets at City Lights Bookstore this past Thursday!  We nearly had standing room only, and I can't credit the Milky Way Cake of my Piece of Cake Laureate poem fame, though the plate was clean by the time we left. The credit belongs to these writers and the two savvy editors who put together a diverse group of voices from 50 Western North Carolina Women Writers.


Books and cake and coffee! It doesn't get any better than this!
For a wonderful post about this anthology, please go to Kaye W. Barley's fine blog, Meanderings and Musings.   Here you will find information for ordering this book, as well as details about the cover artist and the editors.

You can order WOMAN'S SPACES, WOMAN'S PLACES  online from City Lights Bookstore.

Writers who read from their anthologized work are standing behind the editors, Celia Miles and Nancy Dillingham. ( I'm sitting beside Celia.)  They are, from left to right, Beth Moore, Janie Mae Jones McKinley, Marian Gowan, Martha O'Quinn, Jennifer McGaha, JC Walkup, and Glenda Beall.  

Celia and Nancy asked me to begin by reading Peg Rhodes' poem, which I was happy to do, finding it moving and oh so resonant at this stage in my life. Peg was unable to be with us.

TRANSITION

I am older and wiser now.
I have climbed to the peak
Of Transition Mountain
Where footing is rocky and sharp
And the downward view 
Is perilous and real.

Courage, my heart, as you scan
The lonely panorama of Aging.
Make the careful descent
From denial to acceptance
Aware of the wild flowers
Peeping from the crevices.

Adjustment is the order of the day--
And the long nights.

***Peg Rhodes, political activist and humanist, has written poems most of her life.  At ninety, she continues to write and publish.


Janie Mae Jones McKinley reads from her selection,  "On Bear Mountain."  We could all go with her as she remembered walking with her grandfather to Naybin's general store, the aromas of onions, hoop cheese, fertilizer, and oiled wood floors filling our imaginations.  And candy!  She had even brought small bags of old-fashioned penny candy to give to each one of us.


                        JC Walkup chats with Glenda Beall before the program begins.  J.C's towel buying saga left us laughing like school girls, while Glenda's moving poem about her grief after the loss of her husband left us hushed.


Martha O'Quinn, Marian Gowan, and Beth Moore get caffeinated before Celia and Nancy begin their introduction.   Martha's poem gave us imagery to carry home, as good poetry always manages to do.  Marian, a quilter, described a special quilting retreat on the NC coast. (Maybe I should finally take up quilting before it's too late!)  And Beth's lovely recollection a trip to Kenya captured the spirit of the season in a profound and lyrical way.

Jennifer McGaha's "Vampire Run" was hilarious and expertly crafted.  But don't take my word about how good these poems and stories are.
Over the next few days I'll be posting them, or excerpts,  to highlight  that morning's celebration of mountain women's voices.  Keep dropping by to read them.
And order the book for Christmas, if you haven't already.    It's not too late!

Thursday, April 7, 2011

Poet of the Day: Terri Kirby Erickson

Terri Kirby Erickson's new book of poetry, In the Palms of Angels, has just appeared from Press 53. The following two poems are from this collection, and their quality of quiet attention and recollection can be found in all the poems between its covers.

Terri is the author of two other collections of poetry, Thread Count (2006), and Telling Tales of Dusk (2009, Press 53).

Terri's work has appeared or is forthcoming in numerous literary journals, anthologies and other publications, including: A Prairie Journal, Basilica Review, Bay Leaves, Blue Fifth Review, Broad River Review, Christian Science Monitor, Cowboypoetry.com, Dead Mule, Eclectica, Foundling Review, Hektoen International: A Journal of Medical Humanities; Journal of the American Medical Association (JAMA), Literary Mama, Long Story Short, Muse India, Nibble, North Carolina Literary Review, Oak Bend Review, Parent:Wise Austin, Paris Voice, Pinesong, and Pisgah Review, among others.

BOOGIE-WOOGIE

Nobody taught our father to play,

but he could crank out a boogie-woogie

beat on his sister's piano,

fingers bouncing on the keys like ten

happy children, feet tapping—

smiling

like he never did before he left for work

or came home, tired. He'd collapse

on the couch,

loosen his belt—become so still

in sleep, you'd think

he wasn't breathing. But Dad could fly

across a keyboard—his body so light,

we put our hands on his shoulders

to keep him on the ground.

sponge bath
Draped in towels,
my grandmother sits in a hard -backed
chair, a white bowl
of soapy water on the floor.
She lifts her frail arm, then rests it,
gratefully, in her daughter's palm.
Gliding a wet
washclogh, my mother's hand becomes a
cloud, and every bruise, a rain-drenched
flower.

Friday, October 9, 2009

CLOTHES LINES



Can you believe that communities have gotten into brawls over clotheslines? Some folks seem to think they make a yard look "trashy." I've always had a clothesline; hanging out the wash is one of my favorite activities. Then I can enjoy the pay-off-- sheets dancing, shirts waving in the wind, underwear mincing its way along the line, and later, I like the way sun-dried laundry smells.

Well, here's another look at clotheslines, but it won't get you into a brawl, nor do you have to worry about bringing your clothes in at night, in case of rain. What I'm talking about is a whole bunch of clothes lines strung together by Celia Miles and Nancy Dillingham. This anthology of work about clothes and how we women get tangled up in them has just been published and its cover looks like a writer's shawl, don't you think? One she'd throw around her shoulders before heading out for the cafe, the salon, the bookstore, the poetry reading! The 75 western North Carolina women in this book would probably love to fling such a shawl round themselves and head out to make the literary scene in style.

Here is Nancy Dillingham's poem on the back cover. If your local bookstore doesn't have this collection on its shelves, gather your shawl around you and demand that it be ordered at once! It's from Catawba Publishers, and the ISBN is just below Nancy's poem.

Finding Our Line

Every day
we shape our clay
from the inside out
giving it cachet.

But sometimes
it’s the clothes we wear
that give us away
that give us sway

Curves, straight lines
diagonals, in-your-face style
au courant, de rigueur
faux, retro

Similarly
we define ourselves as writers
shape our style

The curve of the plot
the turn of the phrase
the tone of the prose--
it’s the pattern of patter that matters

We preen, we pose
give color to character
and landscape
decorate and align

weaving a provocative story
stitching a tall tale
spinning a yarn
threading a theme

piecing a poem
with precision and panache
punctuating with élan
finding our line

Nancy Dillingham

CLOTHESLINES
Edited by Celia H. Miles and Nancy Dillingham ISBN 978-1-59712-355-690000